Drift functions as an open-ended photographic investigation of urban space, utilizing a simple walking trajectory through the city to explore localized topographies. Rooted in the concepts of psychogeography and the practice of the flâneur, the series deliberately avoids an overarching narrative or structured thematic framework. Instead, the project documents an unscripted journey shared with a companion, recording the spontaneous observations that occur between public houses.  

The resulting imagery focuses entirely on the vernacular syntax of the street: transient signs, overlooked symbols, arbitrary marks, and accidental urban compositions. By prioritizing the casual act of drifting over a predefined destination, the work frames the city—regardless of its specific geographic identity—as a fluid map of psychological and visual encounters. Ultimately, the project captures the subtle, shifting textures of public spaces, transforming a routine social walk into an objective study of the subtle markers left by human presence and time.